Marc died at the young age of 36 sadly during his short career, he only produced 120 pieces of artwork. Interestingly, during this period the artist supported himself from animal-anatomy lessons he gave to other artists. However Marc was most impressed by a 1910 Matisse exhibition that he viewed in Paris. Marc studied at the Academy of Fine Arts and then traveled to Paris where he was enthralled with Picasso, van Gogh, and Gauguin’s works. Born in Munich, the young Marc was influenced by his father who was a landscape painter. The importance of the oil painting lies in that it was created by Marc who is commonly considered to be one of the key figures of Germany’s Expressionist movement. With a storied past, it seems as though the 1913 Expressionist painting will now reside in a legitimate place for the first time in many years. As such, she became one of the first German artists who worked in the Expressionist style.Earlier this month, the saga behind Franz Marc’s “The Foxes” finally came to a close. Inspired by trips to Paris, where she came face to face with the color palette and expressive brushwork of the French avant-garde (Cézanne, Gauguin, Van Gogh), she started incorporating more color into her work. In her short life (she died at the age of 31) she painted over 700 paintings and made over 1000 drawings. She is considered one of the most important representatives of early Expressionism and is known as the first female painter to paint nude self-portraits. Der Blaue Reiter did not last very long and dissolved at the start of WWI in 1914 since Franz Marc was killed in combat and Wassily Kandinsky was forced to move back to Russia.Īnother important German Expressionist painter was Paula Modersohn-Becker (1876-1907). Other artists associated with the movement were Paul Klee, Gabriele Münter, Alexej von Jawlensky, Marianne von Werefkin, and August Macke. Kandinsky and Marc also shared a love of the color blue, which they considered a spiritual color. Der Blaue Reiter derives its name from the recurring theme of a rider on horseback, which appeared in Kandinsky’s painting at the time. They also attempted to break down the boundaries between what people considered high art, children’s art, folk art, and ethnography. In 1911, Wassily Kandinsky and Franz Marc formed Der Blaue Reiter, with an aim to transcend the mundane by pursuing the spiritual value of art. They chose their name inspired by a passage in Nietzsche’s Thus Spoke Zarathustra, wanted to convey their wish to bridge the past and the present. The founding members were Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff. Die Brücke was a collective of artists formed in Dresden in 1905, who were opposed to the bourgeois social order of Germany. Two main groups of artists formed the core of German Expressionism: the artists who formed Die Brücke and Der Blaue Reiter. Key characteristics: emotion, free sexuality, heightened use of color, spirituality Key artists: Paula Modersohn-Becker, Ernst Ludwig Kirchner, Franz Marc, Wassily Kandinsky, Emil Nolde, Fritz Bleyl, Erich Heckel, Karl Schmidt-Rottluff, Paul Klee, Gabriele Münter, Alexej von Jawlensky, Marianne von Werefkin and August Macke. Keywords: self, psyche, body, sexuality, nature, spirit, emotions, mysticism, distortion of reality, exaggeration, heightened use of color German Expressionism was divided into two main groups of artists: Die Brücke (the bridge), led by Ernst Ludwig Kirchner, and Der Blue Reiter (The Blue Rider), led by Franz Marc and Wassily Kandinsky. Germany, along with France, Austria, and Norway, was an important center of the development of Expressionism. ![]() ![]() The artists’ aim was to express their emotional experiences, instead of focusing on portraying physical reality. At the start of the twentieth century, Expressionism emerged as an international tendency and art movement, spanning art, literature, music, theatre, film, and architecture.
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